Editor
Over the span of three years, Nicola Brognano’s tenure at Blumarine has had its various stages, ranging from the girly and the Paris Hilton-y to the femme fatale one-off and the Gothic mermaid. When one thinks that there can’t possibly be any other way to reinterpret the Y2K style, Brognano always pulls out a new filter to cast a different light on it.
Or rather darkness, in this case. “She’s a rawer woman,…
