Editor
Maxime Simoëns was in a melancholy mood for fall. Théodore Géricault’s painting “The Raft of the Medusa” — a nod to the current European migrant crisis — provided one of his main motifs for the season, worked in jacquard on a bomber jacket, printed in monochrome on fluid shirting, or on a hoodie printed with the text “Sur/Vivant” (a play on “survivor” and “living”).
Elsewhere, evoking a…
